Elements of Gothic Literature Essay Example for Free

Elements of Gothic Literature Essay Gothic literature was born in 1764 when Horace Walpole published The Castle of Otranto, which is considered to be the first gothic novel ever written. Gothic literature was originally written as a reaction to the age of reason, order, and the politics of eighteenth-century England. Containing anti-Catholic sentiments and mythical aspects, Gothic literature explored the tension between what we fear and what we desire. The stories were usually set in some kind of castle or old building that showed human decay and created an atmosphere of mystery and suspense. Often, one of the main characters would be some sort of damsel in distress, threatened by some man. The words chosen in these novels and short stories were very descriptive, creating overwrought emotion and often, feelings of gloom and horror. Also, within the plot, some sort of ancient prophecy, along with omens and visions, could usually be found. The most important elements to the structure of canonical gothic literature, however, are supernatural and unexplainable events. In The Castle of Otranto, much of the plot surrounds one unexplainable incident: a giant black helmet falls on Prince Conrad, thus killing him. Because of Prince Conrads death, Manfred, his father, captures a passing peasant, Theodore, and pursues Isabella, Conrads fiancee. Later, it is learned that Jerome (the minister) is Theodores father. If the helmet had never fallen on Conrad, Manfred never would have stopped Theodore, and Jerome would never have found his long lost son. Manfred, still believing that Theodore is guilty of dropping the helmet by sorcery, is ready to execute him. At this point in the story, Isabellas long lost father appears, which halts Theodores execution. It is later learned that Isabellas father found her because a dream he had led him to a monk, who led him to Otranto. The supernatural event here is the dream, which turned out to forecast reality. He accuses Manfred of not being the rightful ruler of Otranto. Eventually, everything is confirmed when the giant version of Alfonso the Good that has been living in the castle (another mysterious incident) breaks through the walls and proclaims Theodore the natural heir of Alfonso and the rightful ruler of Otranto. The Ruins of the Abbey of Fitz-Martin, whose author remains anonymous, also has a similar dependency on a chain of supernatural events. Sir Thomas Fitz-Martin acquires an abbey, which he finds in ruins. He is certain it can be repaired, so he and his people venture inside. Upon exploring the abbey, Fitz-Martin opens a door with difficulty, only to be met with severe shrieks from inside that particular room. Later in the story, the superstition surrounding those screams is explained. Evidently, every night, the ghost of St. Anna can be seen walking up to the altar. She stays there until midnight, and then walks to the south tower. She screams three times, and the ghost of the evil Baron, who possessed the abbey years before, comes. Then, Anna chases him with a fire-brand in one hand and a dead baby in her other arm. The two ghosts eventually come to the Barons old room, where dismal yells and dying groans can be heard from. Fiery lights surround the Barons old room until the clock that hasnt been touched in years strikes two, or sometimes three oclock. This story of supernatural occurrence strikes the curiosity of Rosaline, Sir Thomas Fitz-Martins daughter, who then decides to go investigate the south tower. When she does, she finds the torture chamber where they killed St. Anna so many years ago. She is debating whether or not to go in, when she hears a voice commanding her to enter. She feels almost possessed, as the voice tells her to reach inside the coffin. When she does, she pulls something out and takes it with her, fleeing in terror. It is the supernatural phenomenon of this voice that brings in St. Annas story, which is written on the papers with which Rosaline fled in terror. The Vampyre by John Polidori casts an interesting slant on the element of supernatural events. The entire story is a supernatural event because Lord Ruthven is a vampire, a supernatural creature. Before this is revealed to the reader, however, there are important unexplainable events that allude to his being a vampire and are of utmost importance to the story. It is the mystery of Lord Ruthvens appearance that first attracts Aubrey to him, and thus begins the story. Aubrey wants to get to know him better, hopefully to  understand the enigma of his demeanor. They leave on a trip together, and Aubrey notices that Lord Ruthven is extremely charitable. He also notices, though, that Lord Ruthven always gives his money to the scoundrels of society, those who will piddle away the charity pursuing their vices. Then he realizes that all who receive money from Lord Ruthven end up far worse than they were before the charity. Although Aubrey cannot explain this, it intrigues him and makes him wonder if there isnt a spark of evil in Lord Ruthven. Some time later, Aubrey receives letters from his sister and his guardians. The letter from his sister is very loving, but the letter from his guardians bears only bad and mysterious news. They tell him that his traveling companion is pure evil, that all the women at home that he wooed because of their virtues, have now come forth and shown that they are tainted, and pursue their vices publicly. The people of their town find this unexplainable and very unnerving. He was suspicious of Lord Ruthvens evil before, but upon reading the letter, Aubrey decides that he must leave Lord Ruthven for the remainder of the trip. Aubrey travels to Greece, where he stays with a kind family and falls in love with their daughter, Ianthe, although he does not act on it. It is here that he learns the legend of the vampire. One day he goes to a place to research, and they tell him to be back before dark because of the vampire. He loses track of time and it is soon dark. He hears a scream and runs toward it. He finds a hut, and picks up a dagger that is inside. However, he is too late. Ianthe was murdered by the vampire. Aubrey falls into a fever and Lord Ruthven returns to him and nurses him back to health. Soon after this, they are attacked by robbers and Lord Ruthven is wounded. He dies, but makes Aubrey promise to him that he will not speak a word of his death. When Aubrey goes back for Lord Ruthvens body, it is gone, and the robbers tell Aubrey that they had to put it in the moonlight the first night of Lord Ruthvens death. They go to where they left the corpse, but it has mysteriously disappeared. Aubrey decides that it is time to go home. On his way home, he goes through Lord Ruthvens things and finds a shaft that matches the dagger he found in the hut exactly. This confirms for Aubrey  that Lord Ruthven is the vampire. When he arrives home, his sister holds a drawing-room. Here, Aubrey is snatched by the arm and told to remember his oath. Aubrey is dumbfounded because Lord Ruthven is supposed to be dead, but here he is, pursuing his sister. This drives him into a terrible fever. During this fever, he figures out that his sister is engaged to Lord Ruthven and fears for her. He tries to stop the wedding, but everyone thinks that he is crazy and dismisses him. His sister is killed at the end of the story. The fact that Lord Ruthven is a supernatural creature accounts for all of the supernatural events and the entire story. If he was not a vampire, his demeanor would never have attracted Aubrey initially, and Aubrey never would have gone traveling with Lord Ruthven. Had Aubrey not gone traveling with him, he never would have discovered that Lord Ruthven was a vampire, and gone crazy. If Aubrey had not gone crazy, he would have been able to stop the wedding and save his sisters life. Supernatural and unexplainable events are crucial to the plot of a gothic story. Often, they act as the backbone of the plot and many of the circumstances and coincidences rest upon them. In The Castle of Otranto, they act as the coincidence drivers as well as supply some of the omens and visions, another element of gothic literature. They bring the real story to the surface in The Ruins of the Abbey of Fitz-Martin, and provide the foundation for the story in The Vampyre. Without the element of supernatural and unexplainable events, much of the canonical gothic literature would not stand on its own.

Comparison and Contrast of The Destructors and The Rocking Horse Winner

Comparison and Contrast of â€Å"The Destructors†, by Graham Greene and â€Å"The Rocking Horse Winner†, by D.H. Lawrence This comparison and contrast of â€Å"The Destructors†, by Graham Greene and â€Å"The Rocking Horse Winner†, by D.H. Lawrence will center on selected parts of stories from the opening through the conclusion. I will seek to compare and contrast both authors’ choices of characters, themes, techniques of suspense, moral statements, and conclusions. â€Å"The Destructors† and â€Å"The Rocking Horse Winner† were both written in the third person by British authors and set in post war Great Britain. â€Å"The Destructors† was written post World War II and â€Å"The Rocking Horse Winner† was written post World War I. Misery caused by poverty is the underlying theme of each story. The significance of the period each story was penned can easily be understood when considering the miserable living conditions of the people of post war Great Britain. The characters in â€Å"The characters in â€Å"The Destructors† are not as fully developed as those in â€Å"The Rocking Horse Winner†. In â€Å"The Destructors† the characters are bound together as a distinct unit or a gang. Their overall interaction is based primarily on the destruction of Old Misery’s house. Dialogue between the gang members is limited to a great extent on the house’s destruction. In contrast, â€Å"The Rocking Horse Winner† characters, Paul, his mother, his uncle, and Bassett, are in constant conflict over poverty and bad luck as opposed to wealth and good luck. â€Å"The Destructors† is a story about the gang-style activities of young boys living in the inner-city poverty of post-war London and their conspiracy toward destroying an old man’s house. The opening of â€Å"The Rocking Horse Winner† sets the tone, moo... ...which in turn led him to seek games of chance. The conclusion of both stories is sad. In â€Å"The Destructors†, not only is Old Misery’s house destroyed, but also during the latter part of the demolition, the gang holds him captive in the out-house. The final humiliation appears when the lorry driver is an unknowing accomplice but still finds humor in Old Misery’s house being razed. In the â€Å"Rocking Horse Winner†, tragically although Paul selects the winning horse of the derby and brings wealth to his family, he dies in the end. Paul’s last words to his mother were â€Å"I’m lucky†. In conclusion, the two short stories as compared and contrasted above, depict the degradation of social norms caused by poverty. The two sets of characters’ reactions to this abasement are different, and both prove ineffective attempts to overcome or cope with the situation.

Writing and Business Letter

Oakley Public School Content Area: English Language Arts unit Title: Types of Nonfiction: Essays, Articles, and Speeches Grade Level: Ninth Grade unit Summary: This unit will revisit the genre of nonfiction with an emphasis on the reading of essays, articles, and speeches. The unit will reinforce the premise that the concepts and evidence presented by writers of nonfiction are factual, even though the writer may include anecdotes that are fictional, ideas that are personal, or language that is poetic.As the students read the samples of nonfiction included in this unit, they will come more proficient In recognizing the techniques of narrative, reflective, and persuasive writing. Primary Interdisciplinary Connections: Social Studies Science Technology 21st Century Themes: Standard 9. 1 -21st Century Life & Career Skills: All students will demonstrate the creative, critical thinking, collaboration, and problem-solving skills needed to function successfully as both global citizens and wo rkers in diverse ethnic and organizational cultures. A.Critical Thinking and Problem Solving The ability to recognize a problem and apply critical thinking and problem-solving kills to solve the problem Is a lifelong skill that develops over time. B. Creatively and Innovation Gathering and evaluating knowledge and information from a variety of sources, including global perspectives, fosters creativity and innovative thinking. D. Cross- Cultural understanding and Interpersonal Communication Effective communication skills convey intended meaning to others and assist in preventing misunderstandings.Unit Rationale: In order to become global thinkers with an astute awareness of the world around them, ninth grade students must be provided with the tools for reading nonfiction with comprehension and fluency. Teachers should still model active reading strategies In the high school classroom In order to assist the students In meaningful reading experiences and engage them In the reading proc ess. Making connections when reading and identifying with authors and their chosen subject matter will help and science.When reading nonfiction, students must learn to separate fact from opinion and recognize a writer's bias in order to make informed decisions about what they have read. By reading a variety of essays, article, and speeches, students should learn to identify a writer's voice and recognize that authors write with a particular audience and purpose in mind. In turn, the students will learn to develop their own unique voice as they write for a variety of audiences and purposes themselves.Learning Targets Standards : Reading for Informational Text (RI): Key Ideas and Details, Craft and Structure, Integration of Knowledge and Ideas, and Range of Reading and Level of Text Complexity. Writing (W): Text Types and Purposes, Production and Distribution of Writing, Research to Build and Present Knowledge, and Range of Writing Speaking & Listening (SSL): Comprehension and Collabo ration, and Presentation of Knowledge ND Ideas. Language (L): Conventions of Standard English and Vocabulary Acquisition and Use.ICP Number Cumulative Progress Indicator (ICP) Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text. ERR Determine a central idea of a text and analyze its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text. ERR Analyze how the author unfolds an analysis or series of ideas or events, including the order in which the points are made, how they are introduced and developed, and the connections that are drawn between them.ERR Determine the meaning of words and phrases as they are used in a text, including figurative, connotative, and technical meanings; analyze the cumulative impact of specific word choices on meaning and tone (e. G. , how the language of a court opinion diffe rs from that of a newspaper). ERR Determine an author's point of view or purpose in a text and analyze how an author uses rhetoric to advance that point of view or purpose. ERR Delineate and evaluate the argument and specific claims in a text, assessing whether he reasoning is valid and the evidence is relevant and sufficient; identify false statements and fallacious reasoning.ERR Analyze seminal U. S. Documents of historical and literary significance (e. G. , Washington's Farewell Address, the Gettysburg Address, Roosevelt Four Freedoms speech, Kings â€Å"Letter from Birmingham Jail†), including how they address related themes and concepts. ROI By the end of grade 9, read and comprehend literary nonfiction in the grades 9-10 text complexity band proficiently, with scaffolding as needed at the high end of the range. WI valid reasoning and relevant and sufficient evidence. A.Introduce precise claim(s), distinguish the claim(s) from alternate or opposing claims, and create an organization that establishes clear relationships among claim(s), counterclaims, reasons, and evidence. B. Develop claim(s) and counterclaims fairly, supplying evidence for each while pointing out the strengths and limitations of both in a manner that anticipates the audience's knowledge level and concerns. C. Use words, phrases, and clauses to link the major sections of the text, create cohesion, and clarify the relationships between claim(s) and reasons, between reasons and evidence, and between claim(s) and counterclaims. Establish and maintain a formal style and objective tone while attending to the norms and conventions of the discipline in which they are writing. E. Provide a concluding statement or section that follows from and supports the argument presented. WWW Write informative/explanatory texts to examine and convey complex ideas, concepts, and information clearly and accurately through the effective selection, organization, and analysis of content. A. Introduce a topic; organize complex ideas, concepts, and information to make important connections and distinctions; include formatting (e. . , headings), graphics (e. G. Figures, tables), and multimedia when useful to aiding comprehension. B. Develop the topic with well-chosen, relevant, and sufficient facts, extended definitions, concrete details, quotations, or other information and examples appropriate to the audience's knowledge of the topic. C. Use appropriate and varied transitions to link the major sections of the text, create cohesion, and clarify the relationships among complex ideas and concepts. D.Use precise language and domain-specific vocabulary to manage the complexity of the topic. E. Establish and maintain a formal style and objective tone while attending to the norms and inventions of the discipline in which they are writing. F. Provide a concluding statement or section that follows from and supports the information or explanation presented (e. G. , articulating implications or the significance of the topic). WWW Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience.WWW Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on addressing what is most significant for a specific purpose and audience. WWW Use technology, including the Internet, to produce, publish, and update individual or shared writing products, taking advantage of technology capacity to link to other information and to display information flexibly and dynamically.WWW Conduct short as well as more sustained research projects to answer a question (including a self-generated question) or solve a problem; narrow or broaden the inquiry when appropriate; synthesize multiple sources on the subject, demonstrating understanding of the subject under investigation. Wool Write routinely over extended time frames (time for research, reflection, and revision) ND shor ter time frames (a single sitting or a day or two) for a range of tasks, purposes, and audiences.SSL Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 9-10 topics, texts, and Come to discussions prepared, having read and researched material under study; explicitly draw on that preparation by referring to evidence from texts and other research on the topic or issue to stimulate a thoughtful, well-reasoned exchange of ideas. B. Work with peers to set rules for collegial discussions and decision-making (e. G. Informal consensus, taking votes on key issues, and presentation of alternate views), clear goals and deadlines, and individual roles as needed. C. Propel conversations by posing and responding to questions that relate the current discussion to broader themes or larger ideas; actively incorporate others into the discussion; and clarify, verify, or challenge ideas and conclusions. D. Respond thoughtfully to diverse perspectives, summarize points of agreement and disagreement, and, when warranted, qualify or Justify their own views and understanding and make new connections in light of the evidence and reasoning resented.SSL Integrate multiple sources of information presented in diverse media or formats (e. G. , visually, quantitatively, orally) evaluating the credibility and accuracy of each source. SSL Evaluate a speaker's point of view, reasoning, and use of evidence and rhetoric, identifying any fallacious reasoning or exaggerated or distorted evidence. SSL Present information, findings, and supporting evidence clearly, concisely, and logically such that listeners can follow the line of reasoning and the organization, development, substance, and style are appropriate to purpose, audience, and task.SSL Make strategic use of digital media (e. G. , textual, graphical, audio, visual, and interactive elements) in presentations to enhance understanding of findings , reasoning, and evidence and to add interest. SSL Adapt speech to a variety of contexts and tasks, demonstrating command of formal English when indicated or appropriate. (See grades 9-10 Language standards 1 and 3 on pages 54 for specific expectations. ) Al Demonstrate command of the conventions of standard English grammar and usage when writing or speaking. A. Use parallel structure. . Use various types of phrases (noun, verb, adjectival, adverbial, participial, repositioned, and absolute) and clauses (independent, dependent; noun, relative, adverbial) to convey specific meanings and add variety and interest to writing or presentations. LO Demonstrate command of the conventions of standard English capitalization, punctuation, and spelling when writing. A. Use a semicolon (and perhaps a conjunctive adverb) to link two or more closely related independent clauses. B. Use a colon to introduce a list or quotation. C.Spell correctly. Apply knowledge of language to understand how languag e functions in different contexts, to make effective choices for meaning or style, and to comprehend more Lully when reading or listening. A. Write and edit work so that it conforms to the guidelines in a style manual (e. G. , MEAL Handbook, Turban's Manual for Writers) Demonstrate understanding of figurative language, word relationships, and nuances in word meanings. A. Interpret Figures of speech (e. G. , euphemism, oxymoron) in context and analyze their role in the text. . Analyze nuances in the meaning of words with similar denotations. LO Acquire and use accurately general academic and domain-specific words and phrases, sufficient for reading, writing, speaking, and listening at the college and rarer readiness level; demonstrate independence in gathering vocabulary knowledge when considering a word or phrase important to comprehension or expression. Unit Essential Questions How does understanding a text's structure help me better understand its meaning? How does fluency affect comprehension?What do readers do when they do not understand everything in a text? Why do readers need to pay attention to a writer's choice of words? How do readers construct meaning from text? How do good writers express themselves? How does process shape the writer's product? How do writers develop a well written product? How do rules of language affect communication? Why does a writer choose a particular form of writing? Unit Enduring Understandings Understanding of a text's features, structures, and characteristics facilitate the reader's ability to make meaning of the text.Fluent readers group words quickly to help them gain meaning from what they read. Good readers employ strategies to help them understand text. Strategic readers can develop, select, and apply Good readers compare, infer, synthesize, and make connections (text to text, text to world, text to self) to make text personally relevant and useful. Good writers develop and refine their ideas for thinking, learning, communicating, and aesthetic expression Good writers use a repertoire of strategies that enables them to vary form and style, in order to write for different purposes, audiences, and contexts.Rules, conventions of language, help readers understand what is being communicated. A writer selects a form based on audience and purpose. Unit Learning Targets The students will . Read developmentally appropriate materials such as essays, articles, and speeches Understand literary heritage/movements as part of global tradition Analyze how arks reflect historical/social events and conditions Evaluate appropriateness of diction and figurative language Distinguish essential/nonessential information Differentiate fact vs.. Pinion Read and follow technical and instructional manuals Critique public documents Use rubric to evaluate writing of self/others Reflect on writing; set goals for improvement Critique published works for authenticity and credibility Write compelling openings and strong conclus ions Use most effective writing format/strategy for purpose and audience Use variety of organizational strategiesDemonstrate effective delivery strategies Make impromptu revisions based on audience feedback Use rubric to improve presentations Demonstrate appropriate listener response Identify propaganda and argument Evidence of Learning Summation Assessment (One day) Types of Nonfiction: Essays Articles Speeches Business Letter Editorial Formative Assessments: â€Å"Thinking About The Selection† Questions Teacher Observation of Whole Group and Small Group Discussion Response to Graphic Organizers Equipment Needed: Overhead Projector Overhead Transparencies of Graphic Organizers Chalkboard Teacher Resources:Ninth Grade New Jersey Penguin Edition, Prentice Hall Literature, 2007 Supplemental Lesson Plans Lesson Timeshare Lesson 1: Introducing Essays, Articles, and Speeches Teacher will introduce the definitions of essays, articles, and speeches and emphasize that the writer cont ributes more than information to nonfiction, but also contributes style, tone, perspective, and purpose through the writing. Teacher will explain differences among narrative, descriptive, expository, persuasive, and reflective essays. Students will read an essay and identify the author's tone and purpose. One periodLesson 2: Main Idea and Supporting Details Teacher will introduce and model reading skill of finding main idea and supporting details in an essay. Students will read an essay and fill out an anticipation guide to perform a literary analysis of the author's style. Teacher will guide students in recognition of author's style as being formed through the diction, syntax, and tone of the writing. Two periods Lesson 3: Literary Analysis: the Expository Essay Teacher will guide students in recognizing an expository essay as a short piece of nonfiction that presents information, discusses ideas, or explains a process.Students should identify the writer's technique of providing su pport as either description, comparison and contrast, or cause and effect. Teacher will guide students in reading an expository essay and ask guided reading questions to assist students in identifying main idea and supporting details. Teacher will guide students through reading a technical document and applying skill of identifying main idea and details to reading informational materials. Students will fill in a graphic organizer to identify information learned through diagrams, headings, labels, and other visual features.Two class periods Lesson 5: Biographical Writing Teacher will introduce biographical writing as a form of nonfiction in which a writer tells the life story of another person using factual information and interpreting these pieces of information. Teacher will guide students through reading of an excerpt from â€Å"A Lincoln Preface† by Carl Sandburg. Teacher will guide students in a discussion of what makes a great leader and students will analyze details fro m Lincoln life that fit the definition of a great leader.One class period Lesson 6: Writing a Business Letter Teacher will guide students in defining a business letter as a piece of resplendence that is written in the course of conducting business or professional matters. Teacher will emphasize qualities of a business letter including clarity, directness, courteousness, and format. Students will identify six parts of a business letter to include heading, inside address, greeting, body, closing, and signature. Students will read and analyze a sample business letter for these qualities.Lesson 7: Writing a Business Letter Students will brainstorm a list of purposes for writing a business letter and select an appropriate purpose for their own letter. Students will begin outlining contents of heir letter. Students will research address of company to which they will be writing and consider audience for their letter. Begin first draft of letter. Lesson 8: Writing a Business Letter Students will finish first draft of their business letter and exchange letter with a peer to proofread and edit.Peers will provide feedback on strengths and weaknesses of letter for revision purposes. Lesson 9: Writing a Business Letter Students will use feedback form to revise letter and write a final draft. Lesson 10: Persuasive Essay convince a reader to think or act in a particular way. Teacher will emphasize that the persuasive essay usually includes appeals to reason and/or appeals to emotion. Teacher will guide students through reading a persuasive essay and assist them in identifying the author's motive and line of reasoning.Lesson 1 1: Persuasive Essay Students will read a persuasive essay independently and analyze passages as appealing to reason or emotion by creating a graphic organizer. Students will compare findings in small group and then share thoughts as a whole class. Lesson 12: Persuasive Speech Teachers will guide students in identifying a persuasive speech as one that tr ies o convince listeners to think or act in a certain way. Teacher will assist students in recognizing rhetorical devices including parallelism, restatement, repetition, and analogy.Teachers will guide students through reading and listening to Martin Luther King, Jar. ‘s â€Å"l Have a Dream† speech. Lesson 13: Persuasive Speech Students will identify examples of restatement, repetition, parallelism, and analogy in Martin Luther King, Jar. ‘s â€Å"l Have a Dream† speech by filling out a graphic organizer. Lesson 14: Persuasive Speech Students will apply skills they have learned for listening to author's purpose and heterocyclic devices in persuasive speech to Franklin Delano Roosevelt â€Å"First Inaugural Address. Lesson 1 5: Humorous Essay Teacher will guide students in recognizing a humorous essay as a form of nonfiction writing intended to make the reader laugh. Teacher will emphasize the humorous writer's use of hyperbole, understatement, and comic d iction as effective techniques. Teacher will guide students in reading of â€Å"The Talk† by Gary Sotto. Lesson 16: Humorous Essay Students will apply skills they have learned for reading a humorous essay to organizer with samples of hyperbole, understatement, and comic diction found in say and share findings as a whole class.Lesson 17: Writing to Persuade: The Editorial Students will read sample editorials and recognize the format as one decisive and public way to take a stand on an issue. Students will brainstorm a list of issues that confront the school or community about which they may choose to write. Lesson 18: Planning an Editorial Students will plan an outline for their editorial to include a clear thesis statement, evidence that supports their argument and anticipates the reader's counterarguments, effective organization, and persuasive language. Students will egging first drafts of editorials.Lesson 19: Writing an Editorial Students will write first draft of editori al with focus on solid thesis statement and gathering evidence to support it, including information that contradicts or opposes position so they may acknowledge and overcome opposing viewpoints. Editorial should include both appeals to logic and emotion. Lesson 20: Editing and Proofreading Persuasive Writing Students will exchange rough drafts of editorials with peers and offer comments on strengths and weaknesses on feedback form. Meet with teacher in a writing conference to receive additional input on writing.Lesson 21: Publishing and Presenting Editorials Students will use feedback from peers and teacher to create final draft of editorials. Students will submit editorials to newspaper or post on a website. Teacher Notes: Lessons will be developed to address learning needs of students as reflected in NJ ASK scores. Teacher discretion should be used to provide appropriate differentiation of activities based on variety of learning styles and needs of individual students in the class room. Curriculum Development Resources: (Click the links below to access additional resources used to design this unit)

The Mind Of The Unconscious Mind - 1634 Words

For many years the question of whether or not the unconscious mind really exists, and if it does then what does it consist of has baffled many theorist’s minds and has made many philosophers question themselves. There have been debates on whether the conscious mind is influenced by other parts of the mind. These parts are indented within the unconscious, which has processes such as personal habits, intuition and being oblivious to certain things in life. While we are completely aware of what is happening I the conscious mind, we have absolutely no idea of what information is stored in the unconscious mind. It is believed that the unconscious mind comprises various significant and disturbing material, which is required to be kept out of awareness as they may be too menacing to completely acknowledge and be mindful of. There are been some critics that have completely disbelieved the existence of the unconscious mind. Many psychological scientists today believe that the unconscio us mind is the shadow of a â€Å"real† conscious mind. However, through extensive research, evidence has been found that the unconscious is not visibly complex, controlling, or action-orientated. Over the last 30 years, there has been a wide research into the level of people’s awareness and the important factors that influence their judgments and decisions to give an explanation about their behavior. According to Bargh (2006), in contrast with the cognitive psychology tradition, this research hasShow MoreRelatedThe Mind : The Unconscious Mind1786 Words   |  8 PagesThe Unconscious Mind â€Å"We all must sleep. From the time before birth, through the long years of our life, to the very day that we die, a rhythm of sleep and wakefulness goes endlessly on† (Silverstein 1). Considering that a person spends about one third of their life asleep, it is apparent that sleep is crucial for the human body and mind. While sleeping, a person might snore, turnover, mumble, talk, or even walk. Stray thoughts drift in and out of the mind and are sometimes woven into the fancifulRead MoreThe Biases Of The Unconscious Mind1681 Words   |  7 PagesIn this philosophical study, an analysis of the biases of the unconscious mind in relation to the mind of â€Å"others† will be analyzed in the context of a peer-reviewed article on the misuse of anti-depression drugs. The analogical argument of Bertrand Russell defines the example of unconscious associations part of the reason why individuals have a biased view of others, which reflects the problematic ways in which scient ists are limited in their understanding of different behaviors. One problem isRead MoreThe Conscious And Unconscious Mind1864 Words   |  8 PagesThe conscious and unconscious mind are two ideas that compliment and contradict each other. Can a person’s action be evaluated as conscious or unconscious? How can you tell a conscious mind apart from an unconscious mind? I believe it is safe to say that the play Hamlet, by William Shakespeare, addresses this question and opens up discussion to critiques with respect to the topic. In the article, â€Å"Hamlet: Poem Unlimited†, author Harold Bloom gives an analysis with respect to the New Criticism approachRead MoreFreud And The Unconscious Mind997 Words   |  4 PagesFreud and the Unconscious Mind Known widely as the Father of modern psychology, there is not a scholar in the current history of psychology that has been so widely debated, criticised or had as much influence on our current ways of thinking and understanding layman’s psychology as Sigmund Freud. To put into context his vast influence, consider the term ‘Freudian Slip’ a phrase so innocuous yet extremely telling of the vast influence of Sigmund Freud on our everyday life. Freud represents a layman’sRead MoreThe Theory Of The Unconscious Mind Essay2065 Words   |  9 Pagesbelieve in the existence of the unconscious. Our dreams, beliefs, hidden desires and undiscovered fears all reside there. Individuals are unaware about what resides in the unconscious. I believe that the unconscious plays a roll on influencing some aspects of our life that we can have a difficult time understanding the motive behind it. Exploring the role that the unconscious mind plays is beneficial, but only to a limi ted extent. I do not believe in making the unconscious a central focus but more ofRead MoreThe Unconscious Mind: Sigmund Freud564 Words   |  2 PagesFreud’s view of the unconscious is that we may have thoughts that could affect our behavior without us realizing it. The unconscious mind stores urge that our mind cannot process immediately because the information could be too devastating or too much to process that we have to keep out of our focus. Zizek refers to this region as storing the unknown-known - the things we dont know that we know. Societal regulations force us to repress certain aspects of ourselves, and the unconscious serves as theRead MoreEssay about Theories of the Unconscious Mind1138 Words   |  5 PagesTheories of the Unconscious Mind Instincts are something that every human being has. They affect everything that we do in our day to day lives. Whether we realize it consciously or not. There are many forms of mental and emotional treatment, but psychoanalysis is different. It requires a certain mindset because of the ethical dilemmas that arise during sessions. There is no room for judgment; any judgment of anti-social or destructive thoughts are detrimental to the psychoanalysis process becauseRead MoreThe Analysis Of Mythology Of The Environment And The Unconscious Mind978 Words   |  4 Pageshumanity to embody culture, tradition and spirituality. Myths fulfill the human desire to express an established identity or sense of oneself. This perspective aligns with Sigmund Freud’s interpretation of internalization of the environment and the â€Å"unconscious mind†. It is my perspective that cultures are built upon the comprehension and generalization of such stories. Mythological legends or beliefs se rve as the fundamental purpose in which humans identify and tradition is formed. Through individual interpretationRead MoreThe Mysteries Behind Out Unconscious Mind Essay1355 Words   |  6 PagesThe Mysteries Behind Our Unconscious Mind The mind is not a vessel to be filled, but a fire to be kindled. ― Plutarch Our mind is the most powerful weapon in this universe, it has the ability to control mostly everything in life but only if we know how to program it and control it correctly. There are so many mysteries about our minds that we dont acknowledge, and for some reason It is hidden from us. So have you ever wondered if there was a secret behind its hidden mysteriesRead MoreOedipus And Julien : A Deep Level Of Their Unconscious Mind1100 Words   |  5 PagesI believe that both Oedipus and Julien have a lot of places in common. Even though they are also slightly different from each other, I believe that these differences somehow reflect the similarity in a deeper level of their unconscious mind. First, both of them have an abnormal obsession to their mothers. Obviously, Oedipus’ story is based on his absurd marriage with his mother after he killed his father, and his story has already been symbolized into a general idea of mother complex called â€Å"Oedipus